Eh? It’s like a surgeon asking you to tell him what you think is wrong and where the best place to start the incision would be. You don’t know!? Well if you don’t, how the heck should I?
Okay. So. I am actually thinking of doing it the other way round and starting an agency representing agents to writers. That way I can decipher, for all those bemused unrepresented scribes out there, what appears to be a sort of literary agent’s ‘secret code’ that’s designed to make the gates to the kingdom appear open and welcoming, whilst in reality keeping them firmly closed.
Seems reasonable. And hey, I can be reasonable too. I’ll only take fifteen percent of the same amount that an agent won’t make from your writing (in other words, nothing), as they have no intention of acting for you anyway.
Be that as it may, I’ll leave you with the code-phrases a writer needs to look out for in ascending order of importance and arch imponderability:
1. ‘We’re currently accepting submissions’, which means: ‘You’ll never hear from us again’.
2. ‘We really enjoyed reading your work, but …’, which translates as: ‘Didn’t you know that by stating, ‘We’re currently accepting submissions’, we clearly, and unambiguously, meant we didn’t want to see your unsaleable rubbish in the first place?’
3. Every writer’s favourite: ‘Send us your full manuscript’, meaning; ‘You’ve waited sixteen weeks to hear back from us after having sent your trite synopsis and boring first three chapters that we didn’t want to see in the first place (you just don’t get it, do you – see previous two points), so by way of a suitable punishment, let’s string the whole torturous process out by a further sixteen months before we reject you anyway’.
4. Finally, this old chestnut: ‘Please include return postage if you want your materials sent back to you’; i.e. ‘Trust us – your unpublishable manuscript will be winging itself in precisely that direction before you can type: “It was a dark and stormy night.”’
Nope. Me neither.